MEET THE ARTISTS.
AMIGAS
JEWELRY DESIGNER
At Amigas Studio, we believe that jewelry should be meaningful. Each piece is crafted to carry a story, to hold the energy of self-connection, and to remind you of the friend within—the part of you that nurtures, empowers, and inspires your own growth.
Our jewelry is about connection. It’s about honoring the people who shape us, the moments that define us, and the intentions we carry through each day. Every piece is handmade with care in Encinitas, CA, designed to be a simple yet lasting reminder of the strength and beauty found in the relationships that matter most.
At Amigas Studio, we’re not just creating jewelry—we’re creating pieces that speak to the heart, pieces that help you stay connected to the bonds and intentions that truly matter.
155
ANNE GREENE
FURNITURE DESIGNER
Anne Greene is a New York–based artist specializing in hand-crafted heirloom furniture. For her, history serves as a muse and raw material: Taking ornamental precedent as a starting point, Greene transforms, iterates, and embellishes until the design arrives at a place that is at once familiar and unknowable.
Each of her designs is first imagined in miniature as a physical scale model, shaped by instinct and Greene’s own manipulation. This process intimately acquaints her with the materiality, proportions, and pairings of color and pattern that emerge as the soul of each piece. Once satisfied with the model, Greene faithfully reproduces it in full scale through hand fabrication.
Greene’s eye has been nurtured over a lifetime through her omnivorous aesthetic diet, her formal design training, hands-on experience at leading staging and design firms, and self-driven research. A deep respect for tradition, slow production, and artistry runs through her body of work—in the fabrication of pieces, which are made in New York; in the embroidered insignias, designed by Greene herself; and in the model-making process that singularly defines her approach.
CRUELLA CASKET
Lacquered jewelry casket with patinated
brass armature.
21.75”H x 13.5”W x 9”D
3.600
ANNA REIKHER
JEWELRY DESIGNER
Anna Reikher is a jewelry designer based in Italy, working from a small studio near Lake Como.
Surrounded by nature’s quiet beauty, I draw inspiration from the intricate forms and hidden connections found in insects, plants, marine life, and prehistoric fossils.
Each piece begins with a spark of curiosity — often a specific species that fascinates me — and evolves into a wearable story. I love discovering visual parallels in nature: how a moth’s wing echoes a petal’s curve, or how the geometry of a seed pod mirrors the armor of a trilobite. These observations guide my creative process, which blends digital sculpting and 3D printing with the ancient lost wax casting technique.
My goal is to create jewelry that feels alive — pieces that invite the wearer to look closer wonder more, and carry a fragment of nature’s magic with them. I produce in small batches and on demand, with a commitment to sustainability and thoughtful design.
AUDREY LI
JEWELRY DESIGNER
Audrey Yifei Li (b. 1992, Beijing, China) is a Brooklyn, New York based designer. Her jewelry brand ELSEWEAR [别饰 / bié-shì] focuses on handcrafted contemporary heirlooms inspired by the rich tapestry of Chinese culture. By emphasizing cultural symbolism with artisanal quality, Li’s jewelry bridges the worlds of modern minimalism and heritage craft.
Her new jewelry collection included in this exhibition revolves around jade, a gemstone deeply revered and symbolic throughout the Orient. Diverse shades and cuts of jade are hand-selected and reinterpreted for contemporary sensibilities. Several jade stones featured in this series are one-of-a-kind family heirlooms from 1970s Hong Kong.
Each of the six jewelry pieces showcases jade in unique ways to express themes of old and new, masculine and feminine, and above all else, timeless and beautiful. By reframing this familiar stone through modern aesthetics, this collection adds to the storied legacy of jade for the 21st century.
Li is a graduate from the Yale School of Architecture and has held exhibitions in select galleries in Brooklyn.
925 silver, jade
495
925 silver
595
926 silver, purple jade
595
BOND HARDWARE
JEWELRY DESIGNER
BOND Hardware is a sustainable art + design studio focused on jewelry, accessories, sculpture and objects. Winner of the CFDA EGLP Award, BOND Hardware was started by creative director, designer + stylist Dana Hurwitz as an experimental project, continuing to develop the focus on sustainable innovation.
BOND Hardware designs functional powerful pieces, defined by sharp + sculptural silhouettes and architectural motifs inspired by the power and edge of New York City’s creative community. Past collaborations include: The Blonds, DKNY, Prabal Gurung, TW Fine Art, Anonymous Gallery, Chloe Wise, Eartheater among others.
BRAVAIS LATTICE
JEWELRY DESIGNER
Bravais Lattice is an experimental jewelry design studio run by designer and physicist Claire Zurkowski.
In 2021, Claire received her Ph.D. in Geophysical Sciences with an emphasis in mineral physics from the University of Chicago. In the fall of 2021, during a postdoctoral fellowship in planetary science at the Carnegie Institution for Science, Claire began taking jewelry classes with goldsmith Daniel Valencia. Claire has always been dually interested in science and object making, and as her research dealt with metals under extreme pressures and temperatures—conditions relevant to deep planetary interiors—she gravitated toward the metallurgical processes of jewelry making. The interplay of structural order, pressure, temperature, and chemistry that defines planetary materials also underlies her artistic exploration of metal and stone.
After this year-long postdoc, Claire began working as a condensed-matter physicist in the Bay Area in 2022. During this time, she also began studying computer-aided design for jewelry under Akiyo Matsuoka, focusing on SubD (subdivision surface) modeling. This form of digital modeling facilitates the complex, continuous geometries that Claire likes to push the boundaries of in her work. Through this interface, Claire sculpts forms that are both mathematical and organic, much like the minerals and metallic alloys that drive her ongoing scientific work. Claire continues to create work that responds to the contrasting material properties of metal and stone, often taking a scientific approach to design and fabrication.
Claire grew up on a farm in Havre de Grace, Maryland, and currently runs her studio out of Oakland, California. She continues to work as both a physicist and jewelry designer and fabricator. Along with designing pieces for galleries, Claire also enjoys making custom work for clients and teaching jewelry workshops.
BY WAY OF
JEWELRY DESIGNER
By Way Of is a jewelry brand that crafts intentional and modern pieces inspired by design, architecture,and nostalgia. Each concept and piece revolves around a story—sometimes as short as a question, sometimes as an imaginary collaboration. The final pieces become part of a narrative, a part of a creative universe of expression and inclusion.
We actively pursue new narratives, materials, and scales through the designing and making process, all while maintaining a lighthearted approach. Quality and integrity of craftsmanship lie at the core of designer & founder Oya’s practice. All of the ByWay Of pieces are handmade with fine metals in partnership with generations of jewelers in the Grand Bazaar, Istanbul, where Oya was first exposed to jewelry making at her mother’s studio.
By Way Of represents the collision of innate skill and expertise with contemporary design narratives and objects. By Way Of pieces are testaments to years of expertise meeting contemporary design narratives.
BODY OF WATER
Aluminum
1.6” x 7.5” x 11”
780
CONCHITAS EARRINGS PAIR WITH THREE SHELLS
925 Sterling Silver
2.4”
500
CONCHITAS NECKLACE
.925 Sterling Silver
14.6”
780
CLAUDIA LEPIK
JEWELRY DESIGNER
Claudia Lepik is a jewelry artist who is intrigued by how to push boundaries in jewelry with scale and material.
Her specific interest is face and nose jewelry. The theatrical fashion inspiration in her works gives her the opportunity to investigate the whole body of a wearer and work with chosen materials in dialogue with her body. Taking time for each piece is her way of communicating with her emotions. She is in love with her hands and letting them dictate almost the whole process from sketch to final piece. Her big scale works focus on brass, manipulated to create an almost garment-like feel from afar.
DOMINGO
CERAMICIST + JEWELRY DESIGNER
Domingo is an jewelry tableware project created by sculptor Ivana Brenner. It was conceived during her time as an artist in residency in Paris, when she experienced the art of hosting and setting a table to welcome family, friends, and lovers. Domingo means Sunday in Spanish, the day that in her native Buenos Aires people gather together with family and friends to share a meal.
All Domingo's pieces are handmade entirely by the artist in NYC. Produced in very small quantities with porcelain and 22k gold luster, Domingo's tableware captures the artist’s creative universe in functional items. Domingo is launching a precious metals and stones jewelry line in 2026. This is a glimpse of its first ever jewelry collection.
EMILIA SCHONTHAL
CERAMICIST + JEWELRY DESIGNER
Emilia Schonthal’s work is rooted in the in-between, in quietly resonant moments of daily life that are easily overlooked and often ephemeral. She aims to preserve ordinary observations of organic and industrial gesture, form, and tension within handcrafted, utilitarian objects.
The contexts of emotion, narrative, and memory that accompany these observations come fully alive in collaboration with those who use the pieces I make. Serving as quiet companions in daily life, I’m curious about functional objects as storytellers and conduits, as bridges across culture and within lineage. Invested in the ancient material processes of working with metal and clay, the objects I make engage with the futile yet sincere human desire to keep, to hold, to preserve, and to remember; to leave evidence and to pass on.
FAKE PLASTIC LOVE
JEWELRY DESIGNER
Turning daydreams into wearables.
My artistic practice is the physical manifestation of my daydreams: turning whimsical thoughts into wearable art. I began my metalsmithing journey during the pandemic, seeking a spark of joy and a tangible connection to creativity in a time of isolation. This pursuit led me to find my muse in the forgotten poetry of everyday objects, reimagining them into bold, fun, and sometimes kinetic jewellery. This process is my way of playfully interrogating the mundane, inviting the wearer to carry a piece of lighthearted fantasy and a reminder to find delight in the unexpected.
FERNANDA URIBE
CERAMICIST
As a multimedia artist, Fernanda explores her Mexican-Cuban identity through painting, sculpture, installation, and mixed media. Inspired by historical artifacts, mythology, and nature’s rhythms, her work becomes a visual journal of transformation, vulnerability, and self-awareness.
I am drawn to the biological world—the human body, flora, fauna, and materials that shift, erode, or transform over time. My culture’s relationship with death, along with my father’s anatomy books, shaped how I see the body—both in its fragility and vitality. By embracing impermanence, my work becomes a celebration of life’s energy and the importance of living with intention. This awareness guides my materials, as I choose elements that morph, decompose, and evolve—mirroring the beauty of change and renewal.
My background in dance and yoga informs a meditative approach to sculpting, etching, and painting. I allow each piece to unfold naturally, reflecting the rhythms of transformation and the balance between fragility and resilience.
HENRY KOEHLER
DESIGNER
Henry Koehler is a designer.
Spikes is a hostile jewelry display object inspired by long term warning markers at nuclear waste repositories.
The concept of using a “landscape of thorns” or a field of large, irregular spikes — is one of several proposed designs for a long-term nuclear waste warning message to deter human intrusion into geological repositories for thousands of years.
This physical marker would guard the location by signaling danger across future generations, far exceeding the typical half-life of most modern warning systems.
JAKE COAN
DESIGNER
The Halo necklace doubles as a table lamp while on display.
When worn, it runs on a button battery held between two magnets. Hammered into an anticlastic crescent, the bronze conceals a thin LED filament, giving the illusion that the metal itself is glowing. It may be worn as either a necklace or a tiara.
Jake Coan creates sculptural light fixtures in his studio in the Berkshires, and The Halo marks his first step into light-based jewelry.
HALO ON STONE
Necklace
Bronze, silver, LED filament, magnet, CR2032 battery
Lamp Base
Railroad stone, touch sensor, steel screws, brass tube, 3v power supply
4444
JANA BREVICK
JEWELRY DESIGNER
“In Jana Brevick's hands, the prosaic household object or tool is transformed into a gem. The resulting work juxtaposes a high level of metal craftsmanship with a droll tongue-in-cheek delivery. With a nod to Man Ray, these wry "chance meetings" are often accompanied by twists on scale and proportion that challenge conventions of wearability.
Brevick is insatiably curious about the world and beyond. Her ongoing research into mathematics and the natural sciences forms the basis for many of her pieces. In her work, an awe for the history of scientific discovery and innovation is offset by her fascination with the beauty of obsolete technologies. Employing a visual language that is simultaneously anachronistic and futuristic, the artist tackles universal themes: from the alchemy of merging creative and scientific processes, to the Romantic journey of the individual into the sublime.” — Jennifer Navva Milliken
Jana grew up moving with her project-engineer father and spending time backstage with her stage-director mother. The Netherlands and Colombia, California, Idaho, Indiana and Tennessee were a few of the places she lived before studying at University of Idaho, Western Washington University and University of Washington. You can find her working in Belgium at PXL-MAD School of Art for a graduate degree with Gijs Bakker, Ted Noten, Ruudt Peters and Liesbeth den Besten in MASieraad H-A.
VOLUMIZER
18x12x12cm/7x5x5in
With cord L
58cm/22.8in
Reflective texIle, foam, cord
Comms Devices are about opening communication.
Volumizer: Amplifies ideas.
Offers a means to keep together
Its scale and reflective qualities make it unavoidable and ready for declarations of care.
1800
WALL REMOVER/CUTTING DEVICE
23x10.5x4cms/9x4x1.5in
With cord L
55cm/21.6in
Textile, printed TPU (thermos-plastic urethane), cord, wadding, brass hardware
Comms Devices are about opening communication
Wall Remover: Takes down walls
Destroys preconceptions to build and grow together.
It’s scale and cartoon qualities make it approachable and ready for open exchange
1800
JISU HAN JUNG
JEWELRY DESIGNER
Jisu Han Jung is an object maker who balances the serious with the humorous.
His practice reinterprets function and form, challenging conventional ideas of usefulness and design. By playfully disrupting familiar expectations, he aims to spark curiosity, wonder, and reflection.
THE JEWELRY HOUSE
20” W x 10” D x 15” H
Walnut, Cherry, Sapele, Maple, Plywood & Leather
NOT FOR SALE
JOEY ZHONG
JEWELRY DESIGNER
Storyteller and designer, Joey Zhong, reinterprets traditional jewelry artistry and technique with the bold simplicity of modern design. Joey is a jewelry artist with Chinese heritage. She grew up in Sydney, Australia and moved to London in 2019 to study at Central Saint Martins, from which she graduated in 2024. She is based in both Sydney and London.
Her sensitive weaving of materials and gemstones derives from a fascination with objects made for holding and carrying; a metaphor for paths travelled. Her jewelry brings together influences of art, objects, personal narratives and the everyday. Her ideas are often abstracted and visualized through subtle subversions to stone setting and mechanisms within jewelry construction.
As a designer, her process is rooted in a love of drawing. Joey combines traditional and modern methods of design and communication through hand drawing, refined modelling and digital rendering using CAD, as well as traditional gouache painting. She works with consideration of every detail in creating jewels that tell a story.
Joey has had experience designing with Shaun Leane in London and at Louis Vuitton in Paris. She is currently participating in Spotlighting 2025, a programme organised and selected by the Goldsmiths’ Centre.
925 Sterling Silver, Smokey Quartz
EU Size 52.75 3.7 x 2.9 x 2.2 cm (approx)
700
JOANNA MUZYKA
JEWELRY DESIGNER
I explore the transformative potential of glass, a medium where light, transparency, and texture constantly reshapes perception. Through a lampworking technique, I create sculptural jewelry that exists in the space between ornament and artwork. Each piece is an intimate reflection on materiality and transformation, an exploration of beauty as connection, fleeting but eternal.
About Coral jewelry collection
Coral collection was born at the intersection of fire and water. Sculptural glass forms recall coral reefs and underwater gardens, yet each is shaped in the heat of over 1850°F. Clear glass reflects light like the ocean’s surface, while coral tones echo the depths where life pulses. It is a story of transformation, where opposite elements unite to create a new identity.
These pieces are rooted in nature, mindful of the future, partly crafted from recycled glass, fragments of past sculptures reborn into new forms.
JOHN JUNIOR KIM
DESIGNER
John crafts luminous sculptures from wood, paper, stone, fabric, metal, and found objects.
Through an honest presentation of these materials, he aims to bring light to the natural phenomena in our surroundings, creating artworks that can lend their unique earthly charms to the spaces they inhabit.
JULIKA HARTZ
JEWELRY DESIGNER
Julika Hartz is an artist/maker from Hamburg. Her designs and working processes are rooted in the arts and her pieces aim to build connections – emotionally and physically – through form and content.
Her background in illustration provides the base for all her work, as it seeks to initiate, deepen or continue stories, taking into account the object as well as the viewer/reader/wearer. Her need for expression is pursued in the making of objects, drawing, writing or photography. Her latest jewelry and object works bring together these disciplines and allow for interplay between stories, objects, images and words.
“IT DOES” NECKLACE
935 Silver
190
“STRONGLY SENSING BEFORE TRULY KNOWING” LIGHTER CASE
935 Silver
720
“THE WIND ON OUR FACES” NAPKIN RING
935 SilveR
950
JUN SUK MIN
JEWELRY DESIGNER
We live in the world abundant with material objects that are in a constant state of motion. Since childhood, I have always been interested in moving objects such as toys and foldable furnitures. I also became interested in the shape, design and contours of moving objects.
As my interest in this subject increased, I realized the pleasure and enjoyment that people would gain to see moving objects having artistic and functional components to enhance the shape, contours and motion of those objects. In an effort to enhance and "bring to life" the sense of touch regarding these objects and enhance their visual stimulation, I concentrated on developing and sharpening that juxtaposition in my art work.
The concept of art work with moving parts became most enjoyable in the process of developing and diversifying art with actual physical objects. The intention of the movements has been to provide both visual stimulation and satisfaction of the feel while operating with hands by giving enjoyment to my metal work. That enjoyment and touch developed into the theme of my art work and that process became a resource of my art work, artistic creativity and practical ingenuity.
CRAFT TOY
Silver, Glass
Price Upon Request
KATALIN JERMAKOV
JEWELRY DESIGNER
Katalin Jermakov (Hungary) creates jewelry defined by conceptual depth and striking contrasts using black and white, square and circle, geometric and organic forms. She skillfully merges soft and hard materials, primarily silver and ebony, creating interconnected systems rather than isolated pieces. Her designs emphasize negative space and subtle linkages, fostering invisible bonds between the wearers. Recent collections highlight spatial dynamics, employing shifting planes and anamorphic elements to create illusions that evolve with movement.
Jermakov studied jewelry design in Budapest, earning her master’s degree from the Hungarian University of Applied Arts in 1994. She has exhibited internationally, with works in private collections and Budapest’s Museum of Applied Arts. She has led jewelry programs at major Hungarian institutions and received the Design Award (2001) and Noémi Ferenczy Award (2009). In 2003, she founded her own studio gallery, where she continues to teach and innovate in contemporary jewelry design.
— From MUSEUM OF ART AND DESIGN
Extrovert Ring
Silver
380
Anamorphic Necklace
Silver, corian, caoutchouc
2600
Lenticular Ring
Silver-ebony ring
510
KATIA RABEY
JEWELRY DESIGNER
Katia Rabey was born in Moscow, studied jewelry design in Shenkar college in Ramat Gan, then worked in Moscow as a curator, educator, columnist — and a jewelry designer, creating wearable pieces for clients, exhibitions and even motion pictures. After Russia invaded Ukraine she moved to Israel again, where she currently works as a 3D-modelist in a jewelry brand and creates art in her free time.
For my first degree I studied literature, and later I took a short course in illustration, both of those came back to me as I was exploring my personal language in jewelry. I realized that even when making wearable objects I prefer to tell stories, often using graphic language, with clear shapes and bright colors. I enjoy kinetics and movement and I like when objects have faces, literal or implied. My tools of choice are CAD and a sense of humor, but I also like to work manually both with precious and not-so-precious materials.
Sweets of Bonbonia
18K gold, sapphire,
enamel, silver
350
We Have a Lot in Common
Silver, enamel
110
Sweets of Bonbonia
18K gold, ruby,
enamel, silver
400
KICKIE CHUDIKOVA
INDUSTRIAL + JEWELRY DESIGNER
FLOW translates motion into form. Three distinct rings interact with a softly contoured tray, where geometry meets the organic flow of surface and volume. The collection reimagines jewelry as a landscape—fluid, sculptural, and alive.
Kickie Chudikova is a New York based Industrial designer, specialized in designing products, furniture, and lighting. Balancing her expertise in between Design & Craft, Kickie is captivated by the timeless beauty of raw materials like glass, iron, or stone and empowering of cutting-edge technology.
Her sculptural approach to form reflects her belief in the lasting value of well-designed products, ones that can be passed down through generations. The combination of organic, evocative forms with the right materials and colors, results in objects that people can connect with emotionally.
Widely exhibited around the globe, she is the recipient of numerous prestigious awards. She collaborates with international brands on commercial design projects as well as develops limited editions of products with craftsmen.
Apart from her studio practice founded in 2020, she is a frequent design guest lecturer and public speaker. Kickie graduated from University of Applied Arts in Vienna with a Masters Degree in Industrial Design. She was born and raised in Bratislava, Slovakia.
Rings are 3D printed in brass and plated with 18kt Gold
Tray is 3D printed in PLA fillament
Ring 250
Tray 90
KIRA WILSON
INDUSTRIAL DESIGNER
Kira Wilson is an artist and furniture maker from Oregon.
She would like her work to be a lens through which one can view the supernatural in the mundane, and the wildness in the domestic.
PHOTO FORTHCOMING
White oak and twigs
9”W 14”H 6.5” D
650
KYLIE MITCHELL
CERAMICIST + TAXIDERMIST
Kylie Mitchell’s work examines how media and technology act as intermediaries that reshape the human perception of sentience within the natural world.
Experiencing nature through the lens of human design, Mitchell mines the aesthetics and construction methods of synanthropes to reveal parallels between these organisms, who have evolved to thrive in built environments, and the humans who inhabit them.
Focused on perceived hierarchies of consciousness, their practice questions the objectivity of the scientific voice and its deteriorating authority to classify and define life, sentience, and the natural order in contemporary society.
Kylie Mitchell (b. 1997) is an interdisciplinary sculptor based in Brooklyn, New York. They work across ceramic, metal, electronics, and taxidermy. Mitchell received their BFA in Visual and Critical Studies from the School of Visual Arts in New York City. Recent exhibitions include “God alone loves all things and he loves only himself” (2025), Foreign & Domestic, NY; and "Fool Me Twice" (2024), Uhaul Gallery, NY.
Nest
Steel, Ceramic
1100
LANE SAMATA
INDUSTRIAL DESIGNER
Ring & Root is a contemporary reinterpretation of the traditional Chinese “donut” jewelry box, an object that celebrates both form and ritual. The idea is drawn to the way a hollow center allows a necklace to rest in a perfect circle, transforming the act of storage into a moment of display, where jewelry becomes art even while not on the body instead of thrown in a box.
Lane reimagined this form and added small brass spheres for feet, referencing the footed jewelry boxes of the past.
To make better use of the hollow center, there is a smaller nesting box. The outer ring cradles necklaces, while the inner piece holds rings and earrings. Together, they balance function and history, honoring a traditional piece while creating something new.
Lane Samata is a Brooklyn based industrial designer who loves fun, thoughtful design and problem solving.
Ring & Root Jewelry Boxes
Walnut, Brass
550 set
LYNN LIN
INDUSTRIAL DESIGNER
Lynn Lin is a Chinese-Canadian industrial designer and multimedia artist based in New York.
Her work spans mass-produced consumer products to bespoke, one-of-a-kind collectibles, specializing in products, objects, furniture, lighting, and packaging. She extracts abstraction from the ordinary, uncovering hidden beauty in everyday experiences.
Believing in the power of storytelling through design, she creates function-informed forms and emotion-empowered experiences to forge a streamlined and enlightened contemporary lifestyle.
With a deep interest in materiality, Lynn constantly explores new materials to push the boundaries of sustainable design. She sees the material as an active participant in storytelling, shaping meaning through form, function, and transformation. Her practice bridges industrial precision with craft sensibilities, blurring the boundary between art and design to foster cultural preservation, social engagement, and environmental awareness.
“Rise” and “Fall” are a pair of metal sculptural jewelry stands that capture the poetic, fleeting motion of rain — the way droplets streak across glass and bounce upon the earth — moments of movement made tangible.
The forms ascend and descend in dialogue: one reaching upward like rain rebounding toward the sky, the other winding downward like a drop surrendering to gravity. Together, they embody the cycle of rise and fall, echoing the perpetual rhythm of renewal found in nature.
These sculptures are not merely supports for jewelry; they become extensions of its beauty, amplifying its presence through gesture and reflection. Through “Rise” and “Fall,” the simple act of holding jewelry becomes a meditation on impermanence, transformation, and the quiet poetry of nature.
Fall
Steel
11”
300
Rise
Steel
11”
500
MALCOM MAJER
FURNITURE DESIGNER
Malcolm Majer is an American artist, designer and metalworker based in Baltimore, MD.
Trained in furniture design at the Rhode Island School of Design he has been exploring furniture making as a sculptural practice since 2017. He is best known for his chair forms executed primarily in metal and historically from scrap materials. The forms are noted for their hard edge, industrial language, architectural fabrication techniques as well as for their deft use of color. He has shown and exhibited work in design fairs and galleries in various cities including New York, Chicago, Paris and Brussels. He is currently showing with Heather Grey Gallery, Dudd Haus and Otras Formas. His recent work has also been featured in digital and print design publications such as Dwell Magazine, Surface Magazine, Dezeen and Metropolis Magazine among others.
POLIKO BOX
Brass, steel, leather
9.5" x 7" x 3.5"
1600
MARA PERALTA
JEWELRY DESIGNER
Maŕa Peralta Studio (MPS) is a Brooklyn, New York-based jewelry and accessory design studio founded in 2019 by Argentinian musician and designer Maŕa Peralta.
At Maŕa Peralta Studio, jewelry is more than adornment—it’s an act of reconstruction. Our process is rooted in the philosophy of ready-made design, sourcing, repurposing, and refining high-quality industrial materials to create pieces that are bold, utilitarian, and timeless.
MPS is a female-owned studio that integrates design and assembly to ensure the durability and detailed craftsmanship of each piece. All pieces are crafted from solid stainless steel, and finished and polished in-house.
The jewelry and accessories are unisex and designed for all. MPS challenges its wearers to be as resilient as the accessories they don, breaking societal norms.
The mission is simple: to test the status quo through jewelry. The objective is not to create confidence but to accentuate the confidence already possessed by MPS clients.
Inspiration stems from the techno rave culture community in New York and globally. MPS continually seeks innovators who challenge and present new perspectives on the history of the rave, punk, and LGBTQ scenes in NYC.
The goal is to create a new wave of utilitarian jewelry and accessories each year that are available to the community that inspires the brand.
CHAINMAIL 2X CHOKER
STAINLESS STEEL
400
MARTINA GUANDALINI
DESIGNER
Martina Guandalini is an Italian-born New York-based architect, interior designer, and product designer.
Her multidisciplinary work is driven by constant research and the urgency to shape new spatial standards and solutions and obtain a new syntax. Whether designing objects or interior spaces, she aims to push the boundaries and create soulful and emotional designs.
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WHERE THE BRIGHT THINGS ARE
Gloss lacquer ( red and pink )
Handsewn leather smocking, mirror, stainless steel and chrome knob
11 x 11 x 11
300
MASON HUNT
DESIGNER
Mason Hunt is a designer in Brooklyn, NY.
Studio Anzu’s meditations on the atomic age and its cultural, aesthetic, and political ramifications prompted so many associations for me as a sculptor. I wanted to generate a display which spoke a different visual language from his highly precise silver laminations and rivets while still orbiting similar conversations about sci fi, the imagination, the ethics of a vague “futurism,” and let’s be real: aliens.
I so appreciate my brother’s sensitivity to the gravity and detrimental social and tangible impacts of war and I thought an introduction of an amorphous, and easily anthropomorphized armature might offer but another cultural reference into the conversion he’s asking us to have with his jewelry.
VITRINE
Wood, Wire, Enamel
1200
MAX HURLEY
DESIGNER
Max is a fabricator living and working in Brooklyn, NYC. He was a bicycle mechanic before that, and an architect before that.
About the work
A hand-carved cherry panel with cast aluminum legs and fixtures.
A quiet field for jewelry to sit in. Room was left for the ritual of careful adornment, room for choice; a display of the organizational taste of the user (like when jewelry is worn on the body).
The materials have humble connotations and are intended to balance one another. The metal shines against the field of wood like jewelry shines against skin. Their appearance is somewhere between natural and processed. There is evidence of their nature and there is evidence of a making hand.
JEWELRY DISPLAY
Cherry wood, cast aluminum
Price upon request
MICAH ROSENBLATT
DESIGNER
Micah Rosenblatt, a Brooklyn-based designer and metalworker, specializes in sculptural furniture that combines industrial forms with a whimsical edge.
Originally from Gainesville Florida, he spent his formative years studying Jewish mysticism before pursuing his passion for design and fabrication at various high-end metal shops in New York City. This hands-on entry into metalwork is evident in his direct and honest approach to materiality, as well as his deep relationship with craft and detail.
Working primarily in metal, Rosenblatt is captivated by its capacity to achieve great strength with visual lightness. He is drawn to its linear qualities, allowing him to trace the outline of a form rather than its volume. This approach enables him to infuse a sense of levity and play into domestic objects, an unexpected quality in an otherwise cold and industrial medium.
His work has been featured in The New York Times, Architectural Digest, and the A24 film, ‘Problemista’.
AXIS MUNDI
Steel, Glass, LED
15 x 15 x 4”
1850
Amblypygi Pin
927 sterling silver
12 x 22cms
1500
Roach pin
927 sterling silver
9.5 x 3.5cms
350
Fly Earring
927 Sterling silver
2.5 x 2.5cms
175
RAMONA ALBERT
DESIGNER
Ramona Albert Design is a multi-disciplinary, architecture, interiors and design practice that is driven by nature and advanced by technology. From romantic residential spaces to grand hospitality environments, Ramona Albert Design celebrates the throughline between our natural landscape and the possibilities of technology to enhance our senses.
Led by principal Ramona Albert, who brings a decade of expertise in the luxury design and construction industry for brands like Louis Vuitton and institutions like the TWA Hotel, Ramona Albert Design brings an esteemed level of sophistication, elegance, and precision to every project.
The studio honors historic, iconic structures while bringing them into the present day with modern sensibilities. RAD is also known for bringing imaginative designs to life through construction, aligning the design brief with the final project.
Ramona Albert Design operates at the pinnacle of contemporary design, where precision meets sculptural beauty, and every space becomes a rare, immersive experience. The practice serves a discerning global clientele who value not only exceptional design but also the mastery of advanced building systems, bespoke craftsmanship, and the enduring elegance of timeless form.
Each Project is a testament to the belief that true luxury lies in innovation, executed with grace and permanence.At the rare intersection of design, advanced technology, and timeless craftsmanship, Ramona Albert Design transforms visionary ideas into landmark creations. The studio’s work spans architecture, interiors, product design, and collectible objects, each shaped through state of the art parametric modeling, precision engineering and bespoke fabrication.
The Bloom Necklace
18K Gold Plated with Malachite Stone
600
The Bloom Bracelet
18K Gold Plated with Malachite Stone
600
The Bloom Ring
18K Gold Plated with Malachite Stone
500
The Soft Wrap Bracelet
18K Gold Plated
600
SEAPUNKS
JEWELRY DESIGNER
Climate projections for Aotearoa/New Zealand predict an increase in heavy rainfall, and alongside sea-level rise, our individual and collective relationship with water, with Tangaroa, is about to get … closer.
SEAPUNKS imagines a future already subsumed by the deluge, populated by punks and scrappers.
The shells at the heart of each piece chart the designers perambulations across the motu. Each unique piece forms under an exchange carried by instinct - responses to shape, color, material, mistakes, experimentation, and of course, desire.
Together, they offer a recognition of and a reply to a future already washing up at our feet - one that is forcing us to transform - and that we might still meet with imagination, adaption, and style.
SHELL NECKLACE
Shell, Silver
120
SOLDAZE
JEWELRY DESIGNER
Soldaze Studio is an independent jewelry studio located in San Diego.
Handcrafted by silversmith Brittany Corbett, each piece is a love letter to those that crave originality, beauty, and play. Crafted from sterling silver and stone, Soldaze Jewelry is rarely planned or sketched out - each piece is a story spoken through the fire, stone, and recent inspirations.
Liana Collection
925 sterling silver, vintage white freshwater pearl
Liana Ring
155
Liana Pearl Tear Necklace
295
Liana 333 Cuff
355
Liana XL Earrings
275
Liana Pearl Bound Necklace
245
Sophie Collé
JEWELRY DESIGNER
Sophie Collé experiments with familiar colors and forms that result in unexpected collectible furniture, objects, and fantasy worlds.
She founded her eponymous design studio in 2020 to challenge notions of normcore furniture and the exclusionary practices of the design world. Her custom pieces are made to order, with no two objects ever looking identical, but all single handedly reflecting her love of queerness, fine art, the 1980s, warm Floridian colors, and dramatic ornamental architecture. Her work has been featured in publications such as Architectural Digest, Surface, Elle Decor, and The New York Times. With a deep appreciation for craft, she hand-builds all of her pieces out of her Brooklyn studio, forever questioning the relationship humans have with art, design, and furniture.
Coquillage Collection
Necklace holder
650
Coquillage Collection
Tray
450
Coquillage Collection
Ring Holder
900
STUDIO ANZU
JEWELRY DESIGNER
Using descending geometric forms layered in silver and industrial style rivets, this work reveals a red core which is contained by each piece of jewelry. Like in many imaginations of futuristic inventions, including spacecraft and nuclear weaponry, this red core represents a formidable powersource. Both modern and ominous, this collection is inspired by Cold-War era propaganda and a blend of science fiction.
This concept was initially sparked by my research on the United States' postwar nuclear testing in the Marshall Islands. One takeaway from these nuclear tests was how the incredible potential of science can be abused. The atomic testing both directly destroyed the land and poisoned the waters of the Marshallese, and also represented America's power to decimate its enemies. Moreover, what was shocking was how publicly these tests were broadcasted, producing positive reception and enthusiasm directed towards the bomb's false promise of "ending all war". I found this faith in technology alarming, because I myself grew up believing in the positive trajectory of science for humanity.
During today's exponential boom of tech, I can see parallels in the nervous excitement, as well as the alluring, once science-fictionesque promises of the future. Here exists a moment where incredible advancements might also pose a threat: be it in everyday, occupational, political, or existential ways. Like the propaganda of the Cold War, these new technologies are both competitive and intertwined with design. Created with an emphasis on modernity, these jewelry pieces are both fueled by my previous futuristic optimism, yet are themselves intentionally ambiguous technologies with potential for destruction.
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Atomic Ring
Sterling Silver, Enamel, Copper
1 x 1 x 1.5
1100
Atomic earrings
Sterling Silver, Enamel, Copper
2 x 1 x 1”
800
SUNA BONOMETTI
DESIGNER
Suna’s work is an exploration of form, inspired by the full range of her life experiences. She reinterprets the elements that move her — from the subtle ripple of water to the bold presence of a beautifully shaped nose.
Through her practice, Suna transforms familiar shapes into unexpected forms, aiming to spark a smile and evoke a sense of joy. Formally trained in jewelry, Suna has expanded her practice by applying these techniques to lighting and product design.
Originally from Milan, Italy, Suna is currently based in Queens, New York City.
Nose Box
4000
Rossy de Palma Ring
390
Eye Ring
230
Ear Ring
230
Sterling Silver
TANUVI HEGDE
DESIGNER
Tanuvi Hedge is a Brooklyn-based architect and furniture designer exploring the connections between people and the objects that shape our surroundings.
Approaching furniture through a spatial lens, her work investigates interaction—how objects respond to touch, movement, and use. Each piece encourages engagement, reimagining everyday acts into meaningful experiences that heighten awareness of the present moment.
She creates forms that balance function with playfulness. Through these explorations, she seeks to redefine furniture as a conduit for connection—between body, object, and space.
Hedge holds an MFA in Furniture Design from the Savannah College of Art and Design. Her work has been exhibited in group shows and reflects a growing inquiry into design as a form of ritual and storytelling.
- About the work -
An ever-changing garden where rings can be planted wherever the hand chooses. Each arrangement becomes an act of curation — a personal ritual of care and composition. With each touch, it sways in response, an exchange between object and keeper.
In the Garden of Earthly Rings
Leather
5” x 2.5”
400
TOLEDO
JEWELRY DESIGNER
Toledo is jewelry & objects from a parallel timeline, where modernism never erased ornament, and Art Deco evolved without restraint.
Founded by Patrick Keville and Lauren Lubell in Los Angeles, Toledo fuses industrial design discipline with American theatricality. The result is sculptural, aerodynamic, and deliberate, objects that suggest utility but serve beauty. Each piece is a provocation: curved but rigid, minimal but dramatic, futuristic but never sterile. Like a skyscraper in miniature, or a machine built for no reason but desire. Toledo doesn’t imitate the past. It invents a future the past was too cautious to imagine. A world where elegance isn’t nostalgic, it’s inevitable..
Hi-Beam Box
Pewter, Sterling Silver, Synthetic
Display Only
TZU HSIN LU
DESIGNER
Lu’s work often begins from an intuitive form — could be a rock, a corner of scrap, or a cut from an old project.
Between metal and clay, I collect shapes that feel unearthed: fragile yet grounded, carrying traces of making. Sometimes polished, sometimes rough, each piece reflects process and touch.
Brass
Price Upon Request
VICTORIA SHAHEEN
ARTIST
My work is searching for the utopia. Through the mix of ceramics, neon, rubber, found objects, and references to mainstream culture, I use recycled language to navigate memories that have shown a path to the utopia before.
- About the work -
In 1851, Sir Thomas Moore wrote about the Utopia. An imaginary island not dissimilar to a tropical paradise rich with resources and community oriented creative events. His Utopia had cities, work forces, uniforms, and slaves. In 1851, I’m sure this seemed like an ideal imaginary world. In 2025, to think of an ideal world that includes the indentured servitude of people and an exploitative class system seems nothing short of a nightmare.
In 1974, Chad Walsh wrote the book From Utopia to Nightmare. His focus was on the idea of imaginary worlds and where many intersect. One specific point he makes is that the main difference between utopia and nightmare (in literary fiction) is the intention of the author. If Octavia Butler intended for the Oankali spacecraft in Dawn, the first book in the Lilith’s Brood series, to act as a dystopian prison that encapsulates human who will eventually repopulate the world as hybrid human/alien creatures, it will be read as such. But in reality, a spacecraft with trees that generate food, stasis chambers that cure cancer, and infinite green space could easily be defined as utopic for many in modern day society.
In addition to this perspective on the utopia/nightmare crossover, Chad Walsh describes the idea of the missing Utopia. He writes that wars cause cities to change names and countries to disappears only to live on in cultural memories of its citizens or in museums but one city is slowly being lost completely. That city being Utopia. He continues to hypothesize that national and global events have informed the human psyche that it is easier/more realistic to imagine the future apocalypse than it is to imagine a utopia where all live in harmony with enough food, water, and resources. Fast forward some 50 years, what are we left with?
Absurdity has become reality, dreams have become nightmares, and the line between reality and make-believe has blurred to almost non-existence.
Taking hints from post-war movements like the Gu Tai in Japan and COBRA in Scandinavia, this works tries desperately to imagine a better world. A modern utopia, where hierarchy ceases to exist and value is based on your existence and not the exploitation of labor. By coupling hand built ceramic objects where every thumb print is exposed with mass produced objects often pulled out of curbside trash, the hierarchy of objects is flattened. These things now function on the same level allowing them to synergistically glow as if on some alien spaceship. These objects are artifacts from a time passed and a time not yet-lived; memories of the days when humans dreamed of better worlds instead of nightmarish ends.
The Melting Mountains of Bonbonia
Glazed Stoneware, Neon, Open Cell Foam
14in x 6in x 16in
1600
WYATT BERTZ
ARTIST
Growing up in suburban Massachusetts, I tried to fill the bored emptiness I felt with brightly-colored plastic: stuffed animals, toy cars, and cheap trinkets in vending-machine capsules. I never found quite the right object—the object that would finally make me feel perfect and whole. Now, I continue in that thankless pursuit: attempting to create objects capable of triggering a state of spiritual perfection.
I think this task might be impossible. I believe we live in an age of material polytheism, where consumer goods have taken over the roles of ancient deities. These goods make empty promises while exponentially expanding their dominion over us. My work oscillates between celebration and renouncement of the glittering over-the-top excess and uncontrolled proliferation of petroleum-fueled capitalism, attempting to both memorialize the bright messages and colors of consumer culture, and expose the truth in its forever-empty promises.
Big Pink Car
40" x 20"
PLA, epoxy resin, acrylic, metal flake, crystals, microcontrollers, stepper motors, LEDs, sediment from Newton Creek
Price upon request
Squiggle Blocks
Variable dimensions
Epoxy resin, UV resin, acrylic
2700